I think the potential for man is so enormous, if we can stay alive long enough, we're going to be seeing a lot of what Star Trek is projecting.

We got to be really good friends [Jack Lemmon and Walter Matthau]. It was just thrilling, every day. Every single day. I had a big couple of musical numbers in [Out to Sea], and I remember doing one of them and shooting it from beginning to end.

And, you know, when you are a kid, everybody wants to be an actor. I think that everybody wants to be in show business, frankly.

When I get to work with people I admire, it's such a bonus, so it was an easy sell when I got this phone call asking, 'Will you do this thing with David Strathairn?'" Also, they didn't ask me to audition, which is another bonus. But they said, "All your scenes will be with David," and I said, "I'm there!"

They were nicely written and nicely directed episodes [Star Trek: Enterprise]. I enjoyed working with Scott [Bakula]. So it was good to do, and, as you said, it did serve to enhance the Soong legacy.

Earl Mills is probably the best role I've ever been given in a film. And it was a great experience to work with Halle [Berry] and Klaus Maria Brandauer, an Austrian actor who's a hero of mine. Martha Coolidge directed the movie [Introducing Dorothy Dandridge], giving me another shot, and it was an amazing experience.

Gian Luigi Polidoro and his girlfriend had written this script, it was an American comedy, and they decided I was the guy to play the part. I was young, they offered me the lead in the film, and I said, "Sure, I'll do it." And I'm telling you, there is a movie waiting to be made about the making of a movie like that, particularly at that time in New York. I mean, we shot all over the streets of New York without permits. We would literally grab a shot and run. But Rent Control... I think the total cost was $100,000, and to this director's credit, I think it looks like $200,000.