I did a great show Off-Broadway called Leave It To Beaver Is Dead that was at the Public Theater in New York. It was written by Des McAnuff, who's an illustrious director now, and it starred... Well, I was in it, Mandy Patinkin, Dianne Wiest, Saul Rubinek, and Maury Chaykin. It was an amazing show. But it was definitely ahead of its time, and people didn't quite get it.

As it turns out, sometimes that bites you. In this case, I saw pictures of Earl [Mills], and...I actually met him. He was quite old at the time, but he had this sort of curly red hair, so we did that in the film. I got a perm and had red hair, and... It was a mess.

I got to play a funny part [in the The Master Of Disguise]. There was one thing my character did that involved flatulence and laughing at the same time - that was in the script - and that was basically what sold me on it. I really thought, "This can't help but be funny." And when I saw the film, I was proud that I'd had those moments.

I don't think everybody wanted to be on [new Star Trek series] . I certainly didn't.

[The Aviator] came about through John Logan, who I've been friends with for many years.

I think there is something like 90% unemployment in the Screen Actors Guild, so we are the exception.

Joey being one of my finest performances ever. Matt LeBlanc's basically doing the same thing right now, playing himself on Episodes. When I did Joey, I really leaned on them to make me the biggest ass they possibly could, because, frankly, everyone in their heart of hearts thinks of themselves that way. Or at least I do, anyway.