As it turns out, sometimes that bites you. In this case, I saw pictures of Earl [Mills], and...I actually met him. He was quite old at the time, but he had this sort of curly red hair, so we did that in the film. I got a perm and had red hair, and... It was a mess.

Voice acting is about the easiest thing to do. You roll out of bed, throw your clothes on that you had on the night before, you go into the studio, and nobody cares, just as long as you can speak.

It's fun to do something different. And there are things you can do in a small palate that you can't necessarily do in a larger role. You can go a little further and do things you could never pull off for any length of time, but you can do for the short run.

I was, like, "Wow, is this ever going to happen again? Am I ever going to work with another bunch of people I get along with this well?" And then, sure enough, Threshold was just a great bunch of people, and I thought, "Hey, I could hang with these people for a long time!" But, unfortunately, it was 13 episodes and we were out of there.

As I get older and I get more of this dialogue and I lose more and more brain cells, it really does become the most difficult part of the job!

And the basic sort of thrust of Star Trek being about equality and tolerance and things I believe in deeply.

Gian Luigi Polidoro and his girlfriend had written this script, it was an American comedy, and they decided I was the guy to play the part. I was young, they offered me the lead in the film, and I said, "Sure, I'll do it." And I'm telling you, there is a movie waiting to be made about the making of a movie like that, particularly at that time in New York. I mean, we shot all over the streets of New York without permits. We would literally grab a shot and run. But Rent Control... I think the total cost was $100,000, and to this director's credit, I think it looks like $200,000.