As I get older and I get more of this dialogue and I lose more and more brain cells, it really does become the most difficult part of the job!

Earl Mills is probably the best role I've ever been given in a film. And it was a great experience to work with Halle [Berry] and Klaus Maria Brandauer, an Austrian actor who's a hero of mine. Martha Coolidge directed the movie [Introducing Dorothy Dandridge], giving me another shot, and it was an amazing experience.

The kid in the episode [of Tales From The Darkside ] was played by Christian Slater! He was all of about 12 or so, but I've run into Christian many times since then, and he always does his line from Tales From The Darkside whenever he sees me.

I tended to do a lot of shows that were ahead of their time and didn't run very long.

A couple of years ago, I went to see a production of Wicked in San Francisco with a friend of mine, one that Patty Duke was in, and he said, "Do you want to meet her?" And I said, "Yeah!" And I went backstage, and she walked out of her dressing room, looked at me, and said, "I know you." And I went, "Well, uh, yeah, I was in My Sweet Charlie." And she said, "Yeah! You were the guy in the car on the road!" And I was. It was amazing.

Generally, I have to be able to get the lines out of my mouth without making a mistake before I go to sleep.

We were kind of never one of CBS favorites [with Threshold], even though we'd gotten really good reviews for the pilot. We were on at, what was it, 10 o'clock on a Friday night? That's kind of where you bury a show if you don't want it to last. But, wow, what a cast, huh? You could never get that cast together again.