I've been creating work by silk-screening images of arms and legs and heads and objects on paper - like drawings of vegetables, guns, hats, whatever - and then also printing sheets of patterns, colorful polka dots and line drawing patterns.

I love digestible art, but I make what I think is organic and realistic, and therefore it's incomplete and completely tangent oriented. I try to keep with what I am thinking about that day - which changes too fast.

A lot of bands are still just bands that artists ask to get involved, but a lot of artists are using sound they create. This is different from referencing music.

I am a musician before a writer, and a drawer before a writer. When I lose sight of that, which I do, my work tends to suffer.

Galleries are becoming overwhelmed with psychedelic music/art. I like it; it's a good direction, a new blurring of the lines between what you do.

I don't like people feeling like they've been cheated out of their money, and I too have been caught in the back of floor shows, only to inspect the backs of necks and the mudded sounds pushing though bodies.

I've been creating work by silk-screening images of arms and legs and heads and objects on paper - like drawings of vegetables, guns, hats, whatever - and then also printing sheets of patterns, colorful polka dots and line drawing patterns.