I've been creating work by silk-screening images of arms and legs and heads and objects on paper - like drawings of vegetables, guns, hats, whatever - and then also printing sheets of patterns, colorful polka dots and line drawing patterns.

I love a lot of people in bands and people doing weird art stuff, but i will always forget someone and i don't really want to be part of stamping the boundaries on a scene.

I actually write a lot, but mostly just daily gibberish. I am a documentation addict: "I just peed. I walked down the hallway. I dropped my pencil. I just aged a minute."

I love digestible art, but I make what I think is organic and realistic, and therefore it's incomplete and completely tangent oriented. I try to keep with what I am thinking about that day - which changes too fast.

Each day I also try to draw. It's a similar expulsion of buildup: Milking the cows every morning. Checking the chickens' eggs. Why should that be limited to a certain medium?

There are people who seem to be on the verge of going either way, and something kicks in to support either the visual or the auditory. Maybe if you are in a rush for success you follow the one that is the most successful, and the other falls to the wayside.

I've been creating work by silk-screening images of arms and legs and heads and objects on paper - like drawings of vegetables, guns, hats, whatever - and then also printing sheets of patterns, colorful polka dots and line drawing patterns.