Words, for me, don't have as much contextual leeway as sound.

I've been creating work by silk-screening images of arms and legs and heads and objects on paper - like drawings of vegetables, guns, hats, whatever - and then also printing sheets of patterns, colorful polka dots and line drawing patterns.

Galleries are becoming overwhelmed with psychedelic music/art. I like it; it's a good direction, a new blurring of the lines between what you do.

I actually write a lot, but mostly just daily gibberish. I am a documentation addict: "I just peed. I walked down the hallway. I dropped my pencil. I just aged a minute."

I don't like people feeling like they've been cheated out of their money, and I too have been caught in the back of floor shows, only to inspect the backs of necks and the mudded sounds pushing though bodies.

Words, for me, don't have as much contextual leeway as sound.

I think alot of vocalists believe in the sound, or the way they sing it - it's interchangable.