My shows are not narratives.

I'm not interested in possible complexities. I regard song structure as a graph paper.

As soon as you externalize an idea you see facets of it that weren't clear when it was just floating around in your head.

What people call unemotional just doesnt have a single overriding emotion to it. The things that I like best are the ones that ambiguous on the emotional level.

The basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.

I think audiences are quite comfortable watching something coming into being.

The biology of purpose keeps my nose above the surface.