The trailblazers are my role models in this industry: Sidney Poitier, Harry Belafonte, James Earl Jones, and Billy Dee Williams. I keep their pictures in my trailer and try to measure to their standards every time I act.

As a little kid, not only is my dad Jo-Jo White, but M. L. Carr is involved in the family, Red Auerbach is my godfather, and my stepmother was an Olympic-caliber sprinter. Athletes were all around. I happened to be a natural athlete. If I wasn't, it might have been hell. But I never got any pressure from my mom and dad to be an athlete.

I came out of my professional athlete career with a 450 credit score, no money in the bank to show for it, but I had an Ivy League degree. So I put that Dartmouth degree to good use and got a job on Wall Street. I hated it but used the time to make connections and become financially literate.

I only get involved with roles that I find intriguing, in top quality productions regardless of the medium. I try not to focus on the format itself and concentrate instead, on finding roles that challenge and entertain me as an artist.

Acting was a lot like football. When you're a DB and you're one on one with a receiver, you're going to dance. It's go-time in front of 100,000 people and everybody watching on TV. That's exactly how it is when a director says 'Action!' It's the same adrenaline rush, the same training process. I love it.

I was raised by my mom. My dad was always traveling, but she allowed me and encouraged me to be close to my dad. So I grew up with three parents: my mom, my dad and my stepmom. Ninety percent of the time I was with my mom, and 10 percent was with my dad.

Politics doesn't matter, policy does.