Happy endings are bullshit. There are only happy pauses.

I write the book for one person — for Fiona [Staples, the artist]. I spend a lot of time just thinking how she'll react to things and manipulating her into drawing perverse, horrific things. It's a really weird job but I enjoy it.

I've never gotten anything but support and thanks from people for having diverse books.

I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls. There was just this sense that all these young women knew there were openings here to be the first of their kind.

People just want good stories.

Gert: Wake me when the fight scene's over. Kitty Pryde: Oy, tell me about it. Hey, I'm Kitty. You the token pacifist of your group? Gert: Not exactly. Pacifists are like vegans, I'm more of a vegetarian. I enjoy fish and occasional maulings.

I know I'm a grumpy old man, but I'm always more delighted by readers talking about the actual comics than people talking about how eager they are to have their favorite comics be "elevated" into another medium. Adaptations are great, but for me, comics have always been the destination, not a stepping-stone to get somewhere else.