Before the TV show of Jessica Jones, the response to Miles [Morales] is so overwhelming, and so constant, and it's been five years now. I can't even express to you how powerful it is on my end. It's overwhelming how much it was needed, that I didn't know that's what was needed.

The drawing and the crafting of the story are fun, but it's the overall meaning that matters to me. It might escape some people who just want to read a comic, and that's fine. The overall meaning is what matters.

This is something I learned when I was working at a newspaper: when you put something on paper, whether it's words or pictures, and it's staring back at the reader, they are now alone in the room with them for as long as it takes them to turn the page. Whereas on television, the images fly by.

Before the TV show of Jessica Jones, the response to Miles [Morales] is so overwhelming, and so constant, and it's been five years now. I can't even express to you how powerful it is on my end. It's overwhelming how much it was needed, that I didn't know that's what was needed.

If you like Powers, you'll love The Victories!

I was there when Sam Raimi showed Stan Lee the first cut of the first Spider-Man movie. I was on a couch next to Stan, watching how special effects had finally caught up to his imagination. It was insane. And I'm thinking, "He had to wait until he was 80 years old for that to happen." When they announced 'Powers' and 'Jessica Jones,' I thought, "Oh, that's nice!"

You can't just have a fight scene. In my opinion, it has to be a character moment or story moment.