The drawing and the crafting of the story are fun, but it's the overall meaning that matters to me. It might escape some people who just want to read a comic, and that's fine. The overall meaning is what matters.

Charlie Huston, who showran the first season [of Powers], is a novelist, and likes to internalize fiction as a novelist does.

Bike riding is where I go to solve all the problems. I know you can't tell from looking at me, but I'm a long distance bike rider, I'll ride my bike and by the time I get back I will have solved whatever problem I had creatively or found that other thing that I was looking for. That's a big part of it.

I don't take it for granted, because I saw the fruits of Stan's [Lee] 50-year labor, and I didn't have to wait 50 years myself.

From my personal taste, it needed more of a visual style. It's so hard when you're adapting something that's so visually scrumptious like Mike Oeming's drawings. They're so unique to comics, but they're a voice.

In my mind jealousy would come with seeing people do something that makes it all look extremely easy when it's not, like artists who can draw better than I can. In college, I was different. I was so hungry that anyone else who was published - I couldn't deal with it.

Jeph (Loeb) will call me with updates, and I'll go, "Are you f--king with me?" I never saw this coming, and certainly never saw it coming while I was still coherent and in the game. That's the difference between me and the previous generations. (Legendary X-Men writer) Chris Claremont had to wait decades before his s - t was on the screen.