With Metavoid, I wanted to move forward with the Lustmord sound, rather than recreating past works such as Heresy or Black Stars, I wanted to create a sound that was new, but which was also unmistakably Lustmord. It's for others to decide if I failed or succeeded.

I personally don't think of the music as being particularly dark, though many seem to disagree as I often have to answer that question. I try and make the Lustmord sound have a real mass and a tangible presence, which some choose to interpret as dark. It's an interesting distinction. Although there are dark elements interwoven within the whole, it's only one of many textures.

As part of our ongoing series of reports on the environment, 'America Goes Green,' we take on the question that can make otherwise competent adults quake with fear. We've all been there. You come to the end of the checkout line and then comes that question: 'Paper or plastic?' For that one brief moment, we grocery buyers are made to feel like the fate of the planet hinges on our decision.

I want my country to be trusted. I don't want anybody running for president telling the unions what they want to hear at the expense of the credibility of the United States.

You may find that making a difference for others makes the biggest difference in you.

My wife and children seem to like me quite a bit, and as long as that is true, I'm really OK.

In the inheritance, I seek to dramatically distinguish between genuine, authentic Christianity on the one hand, and counterfeit, alternative spirituality on the other hand. One of my primary purposes is to demonstrate that there are two kingdoms operating in the earth today, the genuine, superior kingdom of Jesus Christ, which reigns supreme, and the counterfeit, occult kingdom of the enemy, which, through extreme subtlety, has led millions of deluded souls astray.