The main thing for me is just the length of time it takes to make a movie. It's at least a year of just talking about it, talking about it with yourself or your director or your other castmates or the press, so you just want to make sure it's a film that although you initially feel this pull or this drive to it, you don't really have the answers to why you're drawn to it. But it's more about not knowing the answers to certain questions but wanting to go on the journey of discovery to find the answers.

I have always been really picky about the films that I make, because I think that there's such an incredible opportunity to bring up questions when you're making movies, and some of my favorite films bring up big questions. They are movies that, when you walk away from it, it hits you as something deeper, and it's a great, fun way to be able to bounce around some of these harder concepts in our heads.

Sometimes I laugh with my parents, and sometimes I yell at them, and both are therapeutic.

I know how to have a conversation, but I've never done improv. I've never taken improv classes.

I think it starts to feel really redundant when you start to do something the same way over and over again. I don't think it's good to become so dependent on a certain writing process.

I would go into periods of depression in my life, and I would feel so alone. I felt that there was no one who understood how I felt, either on TV or in music, and writing really helped me change what I thought and how I felt about myself.

I just always loved mythology, ever since I was a kid. Greek mythology was something I remember learning about in fourth grade, and Egypt, too, and something about both those things just clicked with me. I just thought they both were so beautiful and interesting to learn about.