I think that, especially as the kids are growing up, they have so much stuff going on in their own lives, they don't really know how much they're looking at their mom as the big problem

We're in a different time right now, and I think we're ready to see a different type of female hero.

There's obviously something that feels very good about being with a new filmmaker who's very excited, but I also think there's something very comforting in a director who's been around a few times. Both have their pros and cons.

We need to have points of view from lots of different types of people. People who have different backgrounds, different parts of the world, who maybe perceive gender differently. We're in this time where we have social media, we have the ability to share so much, that I think that we need to create more space and more opportunity for people that are just outside of the typical cliched binary roles.

I have always been really picky about the films that I make, because I think that there's such an incredible opportunity to bring up questions when you're making movies, and some of my favorite films bring up big questions. They are movies that, when you walk away from it, it hits you as something deeper, and it's a great, fun way to be able to bounce around some of these harder concepts in our heads.

When I take on a character, it's a sacrifice. There's something that you give up every time. I want to become these characters, and I want to be mysterious, but if you know too much about me, it's not going to be too much fun watching me play a character, because it's just going to be me with a mask on, instead of you believing what the mask is.

I try to find some sort of meditative hobby to do on set, and it's different for every film. There's a lot of downtime, but I don't like reading on set because it feels like you're taking yourself out of your world, instead of being present. And then, you feel like you're not ready to do whatever you have to do.