Singing is an incredible expression and something that is important to me, but where I feel comfortable with how much I reveal about myself is acting. I enjoy the characters, the costumes, the wigs and just being a chameleon.

You have to be really comfortable with yourself because people are going to tell you that you're eyes are too brown or you're this or you're that. And if you're not comfortable with yourself, you could get pretty freaked out.

The main thing for me is just the length of time it takes to make a movie. It's at least a year of just talking about it, talking about it with yourself or your director or your other castmates or the press, so you just want to make sure it's a film that although you initially feel this pull or this drive to it, you don't really have the answers to why you're drawn to it. But it's more about not knowing the answers to certain questions but wanting to go on the journey of discovery to find the answers.

Lately, I've been getting too much attention with the Met Gala and work going so well that I try to find rejection in my day. I'll seek out someone on the street or at the farmers' market and ask for something where I know they'll say no. No one likes rejection, but it's real. And I don't want to lose that feeling.

When I take on a character, it's a sacrifice. There's something that you give up every time. I want to become these characters, and I want to be mysterious, but if you know too much about me, it's not going to be too much fun watching me play a character, because it's just going to be me with a mask on, instead of you believing what the mask is.

I didn't have a regular school experience and wanted a more abstract way of learning. I started exploring in lots of different creative ways. It gave me the opportunity to travel and play music, so it was good for me.

Instruments fascinate me because they're completely awkward. When I picked up a guitar for the first time I was like, "What is this?" because it's so foreign and unknown.