I remember that I auditioned with the scene where I pull the grandfather out of the coffin. I just loved it so much.

I guess I just take things as they come now, as far as that goes. I get really excited to do the project, but I don't think too much beyond that.

I grew up Irish Catholic with a bunch of kids at Catholic school.

Some things just have a short, beautiful life, and some things have a longer one. One hopes that the things that go a long time are things that you love. It's like a relationship. The longer things go, you have to really work on that relationship with your character, with your castmates, the crew your working for, the producers, and the writers.

[Sasha] for me it was a dream. I got to tell everybody where to go and how fast to get there. It was very exciting. It was still an Aaron Spelling show, with the hair and make-up and everything, but there were also motorcycles. For my life, at that time, it was such a perfect thing. I had all this inner anger to get out, and it was so exciting to get paid to do it. She had anger and sexuality and rebellion, but there was still that very sweet core. I didn't have to be something entirely unrecognizable or un-relatable. I just loved her to death.

I've done different conventions and had smaller roles in different sci-fi things.

Mark Frankel was just a very tender, thoughtful person, and that was really nice. At that point in life, I hadn't met a lot of people my senior who were that tender, and still doing well and making a real go of it. That was a treat, for sure.