I've done different conventions and had smaller roles in different sci-fi things.

[Sasha] for me it was a dream. I got to tell everybody where to go and how fast to get there. It was very exciting. It was still an Aaron Spelling show, with the hair and make-up and everything, but there were also motorcycles. For my life, at that time, it was such a perfect thing. I had all this inner anger to get out, and it was so exciting to get paid to do it. She had anger and sexuality and rebellion, but there was still that very sweet core. I didn't have to be something entirely unrecognizable or un-relatable. I just loved her to death.

When need something really aggressive, outrageous and not done half-way, I feel like I'm your girl.

When I went in for the [ Embraced] DVD interviews, I thought, "Good lord, it's 17 years later!" I thought that maybe I should do my make-up differently and put extra effort in, or I'd look like a different human being. It's very strange.

I guess I just take things as they come now, as far as that goes. I get really excited to do the project, but I don't think too much beyond that.

I worked a lot with Mark Frankel, and he was really just an incredibly tender soul. He liked his hair just so and his suit. He was a good-looking man, and he cared about looking together.

A lot of people have a dissatisfaction or an anger in them, so as soon as something goes awry, they flip out.