I worked a lot with Mark Frankel, and he was really just an incredibly tender soul. He liked his hair just so and his suit. He was a good-looking man, and he cared about looking together.

Mark Frankel was just a very tender, thoughtful person, and that was really nice. At that point in life, I hadn't met a lot of people my senior who were that tender, and still doing well and making a real go of it. That was a treat, for sure.

[Sasha] for me it was a dream. I got to tell everybody where to go and how fast to get there. It was very exciting. It was still an Aaron Spelling show, with the hair and make-up and everything, but there were also motorcycles. For my life, at that time, it was such a perfect thing. I had all this inner anger to get out, and it was so exciting to get paid to do it. She had anger and sexuality and rebellion, but there was still that very sweet core. I didn't have to be something entirely unrecognizable or un-relatable. I just loved her to death.

I like everything that has to do with ghosts. If I see it, I'm all over it. We all have our thing.

Aaron Spelling kept trying to bring vampires about, and I feel badly that it happened so much later. He was ahead of his time, in that regard.

I grew up Irish Catholic with a bunch of kids at Catholic school.

I'd worked for Aaron Spelling before [Embraced] and I always felt like we had a nice connection. I pretty much walked in and looked at him like, "This is mine!" And by the time I was done with the audition, he was already speaking to me as if I had the role.