Once you play with these scenes and you're outlining it, again and again, and telling each other the narrative, and telling it to people you know, trying to make sure that the mathematics of the story work, you feel that those are in place, and the actual writing and final draft doesn't take as long.

For some reason, I have a very strange conception of time. I am constantly hovering at some overview, more macro.

I think there is a general unrest or curiosity about what a human future is going to be like, and whether the way we're living is even sustainable.

But, it has something to do with having belief in a human future and what that human future is. What is the future of humanity? How does this whole experiment not self-destruct with the environment and everything else going on?

So much of the world is being brought up on these stories that Hollywood is coming up with and exporting all over. They have so much power and influence, so it's really important that they represent women properly.

I feel like, when the audience connects with something, they enjoy the experience so much that they want other people to go have it. They're like, "Don't talk about it. Don't tell. Just go!" It's a nice feeling to have people coming around it that way, protecting the ideas in it, so that everyone can see it for themselves.

I feel like success to me is about feeling like I have done something in storytelling, where I've gotten close to articulating something intangible that I'm feeling, and I think I get closer every time, but I don't know that I've done that yet.