Having spent a lot of time trying to figure out screenwriting, I do feel moved and I want to try to write good roles for women of every age.

I think you get to see, through the different cult members, why people are attracted to a group like this. Everyone is there for a different reason and from a different background. That was part of what was interesting for us, in researching cults and exploring it. A lot of this happens in California.

So much of the world is being brought up on these stories that Hollywood is coming up with and exporting all over. They have so much power and influence, so it's really important that they represent women properly.

I couldn't be a novelist for instance. It feels like a very lonely endeavor. I don't know that I could survive the solitude of that.

What I like about acting is that you have to be super, super present in the moment. That's not something that comes to me naturally. But if you take the long view on anything, nothing can really affect you or knock you down. It's like, we're here for a blink, we're just the human experiment, one of many experiments going on in the universe, and it's interesting, it's beautiful by fits and starts, but I can't take it that personally. I'm just one of billions of people attempting.

Sometimes big budget means explosions! CGI! CGI, the possibilities are so limitless that it begins to be impractical. I'm more interested in the kinds of movies where the science fiction world has a set series of rules and you operate in it because of, maybe, constraints in the budget.

Early rejections are really tough, especially when all of your friends who you went to school with now have legitimate jobs, are getting married, having children, buying real estate, being adults. And you're still trying to figure out how to make a living doing the thing you think you love, but you're not even sure yet because you haven't even done it. It was a long road of risk and treachery.