I think we're in this exciting moment of Internet streaming storytelling, and it's anybody's guess what that is or what it means. It can take on any form. That's what's so exciting about the time we're in; these filmmakers are coming in and letting the story tell itself as it wants to be told.

Life and death and birth is this fantastic mystery that we cannot fully grasp.

If you came from the future and you arrived here, what would you be like? Would your immune system be depressed from that travel? Would you be well? Would you be ill? Would you be affected by micro-organisms of the time period and be hiding out in a basement? How would it all work, practically?

I wasn't actually very naturally good at economics. My brain doesn't work very well, in terms of mathematics.

Eventually, if you're the train that's leaving the station, people will race to catch up with you. I think that's one of the things I've figured out. You can't wait for permission to act, you just do; then people are like, "Oh, look at that person just doing over there. Maybe I'll come join them."

Early rejections are really tough, especially when all of your friends who you went to school with now have legitimate jobs, are getting married, having children, buying real estate, being adults. And you're still trying to figure out how to make a living doing the thing you think you love, but you're not even sure yet because you haven't even done it. It was a long road of risk and treachery.

One of my favorite stories growing up was 'A Wrinkle in Time'. I loved that book.