I'm still a bit of a romantic and an idealist and hopelessly naive.

I get uncomfortable when people give me presents and watch me open them. I don't have birthday parties, because the idea of a group of people singing and looking at me while I'm blowing out candles gives me hives.

Sometimes big budget means explosions! CGI! CGI, the possibilities are so limitless that it begins to be impractical. I'm more interested in the kinds of movies where the science fiction world has a set series of rules and you operate in it because of, maybe, constraints in the budget.

I think you get to see, through the different cult members, why people are attracted to a group like this. Everyone is there for a different reason and from a different background. That was part of what was interesting for us, in researching cults and exploring it. A lot of this happens in California.

People go to the cinema to be moved; they wanna laugh, they wanna cry, they wanna feel something deeply, especially if they're not feeling deeply in their own lives.

I didn't understand how you could be an actor if you didn't also study philosophy and study political science, astronomy. And also just go out and live life and have experiences.

Once you play with these scenes and you're outlining it, again and again, and telling each other the narrative, and telling it to people you know, trying to make sure that the mathematics of the story work, you feel that those are in place, and the actual writing and final draft doesn't take as long.