You can't show up on set and expect it all to come together. You have to have a plan, much like how the director can't just show up and go, well, where should I put the camera? That is gonna determine how it is lit, you should have already been in the room looking at it earlier, pre-lit the room, you know there is a lot of prep that goes into it, so it is the same thing with acting. You can't just show up.

I think none of the humor in the first Evil Dead was intentional. We weren't that sophisticated. We got more sophisticated with Evil Dead 2 and Army of Darkness where you can start to manipulate the audience a little more, having more control over the medium instead of just trying to figure out how to do it. I suppose that's pretty normal with any craft. Every carpenter is better 20 years later.

I'll do more than the average actor, but I'm smart enough to know why stunt guys exist.

I'm sick of over-trained heroes. I'm really bored with that. Guys that are just ripped to shreds and full of skills. That's boring me. Give me the mechanic that picks up a weapon. Now I'm interested. That's my hero.

As an actor, I look for the part itself. I look for the story and the role. If there's no money, but it's a good part in a good role, I'll still consider it. Basically, the worse the role is, the worse the story is, and the more they'll have to pay me. It's a simple correlation.

I see parody as another form of comedy. If you are making a comedy, there are a lot of different ways to do it. I'm not necessarily always aware of my quote-unquote persona when doing things like that. It's more, "What does the character need at the time?" I'm certainly drawn to certain types of material, there's no doubt about that.

Horror I appreciate is one of the few genres that can wind the audience up and make them pay attention. I kind of like that. It's one of the few genres that can be very manipulative.