I'm wearing three hats; I'm acting, producing, and directing. I was very involved in developing the script, too. But to me, that is very liberating. To me, the lower the budget, the more I want to be involved. I want to be more in control of my own destiny when there isn't much money involved, because you don't have the experts who can control your destiny.

You might meet a guy who turns out to be the best guy you've worked with. They don't have to be some name brand person. I've met a lot of lower level actors and directors who were terrific; that are as good as any other A level director or actor, they just don't get the recognition. So I'm happy working with anybody who wants to show up to play the game and has a clue.

If I had all the money in the world, I'd still make movies. But I'd want them to pay me in donuts.

Every single bit of entertainment is escapism. It's because you are saying, "Let's see what this other person's life is like." And also it's beyond escapism, its entertainment and art as such can elevate the species. The entertainer supposedly is the muse. They're the ones who tell you what is wrong with society in a humorous way. They're the ones who do an expose about this or a documentary about that about the injustice of this. So it can be a very powerful medium.

It's smart to have a set of younger actors. People don't always want to look at me. They want to look at other people.

The words are the words. Seriously. Meaning you don't have boo-boo words. You can do boo-boo things. You can have sex, carnage, mayhem, whatever you're looking for. "The Evil Dead" movies, in my opinion, function better in an unrestricted world.

Funny stories on set - there are thousands of them, but they are only funny to the people who were on the movies. You start to have inside jokes and gallows humor. You have all kinds of things you laugh at, but as soon as you tell somebody, the joke falls flat because they don't know the context of it.