If you don't pay attention and if your imagination isn't pretty much engaged, you're going to miss things and you're going to miss opportunities for it to be as compelling and as creepy as it can be.

Animals... don't have a sense of time. You just have to do things over and over with animals until they happen to do it right because they don't really know what you want.

You kind of invite a little spooky, creepy vibe into your whole experience of making a movie.

We improv-ed scenes that didn't happen in the movie. We improv-ed the scenes that are written in the movie without the dialogue as written. We played around a lot to try and figure out just how we could flow with what was already written in the story and how we could highlight those imbalances and those points at which we came to loggerheads.

The concept of endless love is something that we can exercise in all kinds of ways.

I think on some level, that's a fear that exists in everybody, that if we're tested, we won't make the courageous choice. We won't make the decision that would make us heroic. We make the decision that would reveal us to be all too human.

I think love courses through all of us, and we can express it to one person all the time, or we can express it to everybody in our world, in our immediate world, in our extended family and all that and to strangers. I think as a concept. I don't mean you and me later.