But part of the enjoyment I take in it is finding the most efficient way to do it, which doesn't mean the corrections aren't made. I like to have a feeling of the whole task before I start, even if it changes.

Pete and Repeat were sitting on a wall. Pete fell off. Who was left? Repeat.

Sometimes I just have a few people over to see the new work, and I think it works better than in a museum situation, where the public is just presented with a large area.

My work is basically an outgrowth of the anger I feel about the human condition. The aspects of it that make me angry are our capacity for cruelty and the ability people have to ignore situations they don't like.

I don't like to think about being an influence. It's embarrassing.

I like to combine different aspects in my work, to cover different areas, but I do see them as being separate.

I'll talk. You'll listen.