I get the feeling that sometimes the ideas work very well when you're doing them in the studio alone.

If you really want to do it, you do it. There are no excuses.

I like to combine different aspects in my work, to cover different areas, but I do see them as being separate.

Sometimes I just have a few people over to see the new work, and I think it works better than in a museum situation, where the public is just presented with a large area.

But part of the enjoyment I take in it is finding the most efficient way to do it, which doesn't mean the corrections aren't made. I like to have a feeling of the whole task before I start, even if it changes.

What I am really concerned about is what art is supposed to be - and can become.

Learn to recognise when you need to know something.