I couldn't worry about whether I`m gonna make it onstage or not. You can't. You just gotta do it. And if you do, you do, and if you don't, you don't, and then something else happens. That's the point of the live performance.

In a restless heart the seed of betrayal lay.

Let there be sunshine, let there be rain, let the broken hearted love again.

Plus, you know, when I was young, there was a lot of respect for clowning in rock music - look at Little Richard. It was a part of the whole thing, and I always also believed that it released the audience.

I'm a synthesist. I'm always making music. And I make a lot of different kinds of music all the time. Some of it gets finished and some of it doesn't.

When I was young, it was sort of built to intimidate. Even on this very local level in this very small church in this small town, it still held that sort of - held you in the palm of its darkness.

I was a guitar player on the streets of Asbury Park and already a member in good standing amongst those who lie in service of the truth - artists with a small A. But I held four clean aces. I had youth, almost a decade of hardcore bar band experience, a good group of homegrown musicians who were attuned to my performance style, and a story to tell.