You ask for your audience's investment in your music; you're in a relationship with them. And their relationship with the E Street Band is separate from whatever else I might do. I like the idea of us being something that people rely on.

[People] are trying to - they're trying to create something that solves a series of very complex problems inside of them or in their history. And I think when I unknowingly - when I went to do that, that's what I was - I was trying to integrate all of these very difficult things that I'd been unable to integrate in my life and in my life with my parents.

The only thing I can say about having this type of success is that you can get yourself in trouble because basically the world is set open for you. People will say yes to anything you ask, so it's basically down to you and what you want or need.

I didn't know if it would be a successful one, or what the stages would be, but I always saw myself as a lifetime musician and songwriter...I was always concerned with writing to my age at a particular moment. That was the way I would keep faith with the audience that supported me as I went along...I'm a synthesist. I'm always making music. And I make a lot of different kinds of music all the time. Some of it gets finished and some of it doesn't...The best music is essentially there to provide you something to face the world with.

You can't kill your way to security and you can't lead by scaring people.

I'm the kind of person, I think a lot about everything. Nothin' I can do about it. It's like, I'm a thinkin' fool. That's a big part of me.

The future is now. Roll up your sleeves and let your passion flow. The country we carry in our hearts is waiting.