I was just infused with ideas and I would dream about it and wake up and go, "Oh, I have another idea about Walter White." It was so well written. And it just got into my soul.

I've done more crap than I care to remember. I really have. 'Airwolf.' 'Murder, She Wrote.' 'Amazon Women on the Moon.' But you learn from all these bad shows. What you don't want to do and what you don't want to be involved with.

It's like a dance, to choreograph a fight is like a dance. It's very specific. You have to carefully plan it out. Because if someone gets hurt, then we didn't do our job, someone screwed up. The fight choreographers and the actors involved, we messed up somewhere.

Actors, writers, directors - that triumvirate of creativity - we have to rely and trust each other to be able to get to the final product.

Good storytelling doesn't have to be in the form of the classics. It doesn't have to be revered by everybody. In fact, to me, the best storytelling is not universally loved by every single person. I think you can water down the ethicacy of the work, itself.

The things you want professionally are opportunities. And through my good fortune that's what's happened. Opportunity has come to me.

Pot always just made me sleepy.