Silence Of The Lambs is a fantastic film. It's a horror film, and it's an incredibly well-told film that is about point of view in such a unique way. The way that film is shot, the way the eyelines are so close, if not directly into camera, betrays an intimacy with the characters and the audience.

As an insecure writer, I'll finish a scene and worry there's a better version of it. Or it could be elevated somehow.

One of the things that I always think about is the emotional sophistication of animals and how much we're learning about the emotional sophistication of animals. If you're eating a pig, you're essentially eating the equivalent of a four-year-old human being.

As a horror movie fan, I was very obsessed with horror films. Still am. I love the genre. For me, horror films are opera, and they are... instead of consumption killing off the young lovers, it's Jason Voorhees or Michael Myers. It is when the stakes are at their absolute largest in a story: whether somebody is going to live or die. In a way, it's just holding up a mirror to life.

Looking back, it's funny how the lighter family-friendly version of these classic Universal movie monsters that were satirized in The Munsters seduced me like a gateway drug into the genre.

You are what you worship. There's something so true about that, with how we're operating as a culture in America. People believing in a wide variety of things, and rarely believing in the same thing. It gives us an opportunity to have a conversation: What is faith? What is belief? What is your personal responsibility for how you see yourself in the grander scheme of the universe, and life, and your contribution to it?

If I were to remake a movie, I'd love to remake Halloween 3 Season of the Witch because even though it's a very flawed film, at its core is a brilliant idea: An evil toymaker is set to kill all the children of the world on Halloween night - and I think that's absolutely fantastic. So whoever has the rights can give me a call.