When you're dealing with shooting a lot of live action in 3D, you're committed to how much 3D you're giving the audience.

Size, perspective- large objects, when you make them too 3D, you dimensionalize them too much, they appear tiny, so you have to be careful about things like that.

This is a darker Lex too, because he's been in prison and he wants revenge. He's not playing around.

The 3D, it changes the way you shoot in a way, especially when you're shooting live action 3D elements.

I love filmmaking, and I love the process. And I would rather do nothing else. It's a privilege to be able to paint such big pictures, so to speak.

Perception has always interested me. The idea thatbehind every face, there are a thousand faces. Beneath the placidveneer of middle America, there lies terror.

If you give the actors a problem 'I'm not getting something out of the scene' and it's the writing, we just don't have the scene, if you give them the problem and just give them some key thoughts they can bring some great solutions to the equation too. So if it's just not perfect, or I'm not getting all I can, I'll open it up to them and say let's talk about it.