I don't particularly like to go see 3D movies, but when I'm doing it I kind of do enjoy it. I enjoy seeing the image in 3D, there's a childhood fun about being able to see those dimensions.

If you give the actors a problem 'I'm not getting something out of the scene' and it's the writing, we just don't have the scene, if you give them the problem and just give them some key thoughts they can bring some great solutions to the equation too. So if it's just not perfect, or I'm not getting all I can, I'll open it up to them and say let's talk about it.

I know what to do with the camera because I see the giant in the camera when I'm operating it live on the set.

Once I start something, I always finish it. They had been trying to get X-Men made for 30 years and they thought maybe if I got involved, it might actually happen.

I love filmmaking, and I love the process. And I would rather do nothing else. It's a privilege to be able to paint such big pictures, so to speak.

I think television is moving more into movies, particularly with serialization and almost cinematic proportions and expectations. A show like 'Game of Thrones' is a perfect example of that, or even a show like 'The Wire,' which isn't all about instant gratification it's about inviting someone into the long experience of television the way you'd be invited into a theater for two hours. So I think in that way, and the quality of writing in television is probably much better than most film writing.

I'm actually part of a number of minorities. I grew up being a horribly awkward kid. A terrible student. And now I find myself as a filmmaker, and you feel kind of alone in the world because you're separate from everyone else.