I'm actually part of a number of minorities. I grew up being a horribly awkward kid. A terrible student. And now I find myself as a filmmaker, and you feel kind of alone in the world because you're separate from everyone else.

If you want to give me Robert Downey Jr in a metal suit and have him join the X-Men, then yes, let’s go head-to-head [with Marvel Studios].

The 3D, it changes the way you shoot in a way, especially when you're shooting live action 3D elements.

What we call 'evil' doesn't necessarily deserve any kind of respect or understanding, by any means; it just deserves an acknowledgement of its complexity so we can better understand it &#Array; so we can help prevent it.

If you give the actors a problem 'I'm not getting something out of the scene' and it's the writing, we just don't have the scene, if you give them the problem and just give them some key thoughts they can bring some great solutions to the equation too. So if it's just not perfect, or I'm not getting all I can, I'll open it up to them and say let's talk about it.

You can only go so far in analyzing each and every one person's opinion because they are often quite different. You just have to trust your instincts and hope that if someone doesn't like your idea, you can prove them wrong in the final process. In the end, you can please some of the people some of the time, but that's about all you can do.

Size, perspective- large objects, when you make them too 3D, you dimensionalize them too much, they appear tiny, so you have to be careful about things like that.