The 3D, it changes the way you shoot in a way, especially when you're shooting live action 3D elements.

Perception has always interested me. The idea thatbehind every face, there are a thousand faces. Beneath the placidveneer of middle America, there lies terror.

If you give the actors a problem 'I'm not getting something out of the scene' and it's the writing, we just don't have the scene, if you give them the problem and just give them some key thoughts they can bring some great solutions to the equation too. So if it's just not perfect, or I'm not getting all I can, I'll open it up to them and say let's talk about it.

I don't particularly like to go see 3D movies, but when I'm doing it I kind of do enjoy it. I enjoy seeing the image in 3D, there's a childhood fun about being able to see those dimensions.

Size, perspective- large objects, when you make them too 3D, you dimensionalize them too much, they appear tiny, so you have to be careful about things like that.

I started making 8mm films when I was 13, so I've been directing for 21 years.

If you want to give me Robert Downey Jr in a metal suit and have him join the X-Men, then yes, let’s go head-to-head [with Marvel Studios].