Sometimes I think to myself, "I wonder if Meryl Streep is ever like, 'Oh gosh, everyone thinks I'm so perfect! I wish that someone would give me a note.'"

I come from a little bit of a theatrical background. I started that way. I don't have a tremendous body of work or anything, but I went to drama school. And so, to get to do a piece where the characters get to talk a lot, and that isn't just about the spectacle or the set piece, or is simply visual or movement based. It was really wonderful for me, and juicy and exciting.

I didn't always want to act. My passion was writing, and it still is one of my primary passions to this day, but it wasn't until high school when I started acting in plays that it became a thought of something I might want to do. And when I applied to colleges, at NYU, I was able to study both writing and acting.

I have very vivid dreams and nightmares, and my biggest fear is of some kind of dystopian future where we're advanced in every way except in our humanity.

I thought that I had a really healthy relationship with food, and I went home to my parents' house for a week because I cut my foot, and was recovering. I just ate loads, ate family meals, went along with group activities. And I realized how unhealthy my relationship actually is with food.

When people just become numbers, and we stop relating to each other as human beings. And we don't have the agency to make choices that can positively affect another human being. I was watching something yesterday where Justin Timberlake took a picture of himself voting, and he might get thirty days in jail because it's a new law or something.

But, working with directors whose history is in performance, I feel like there's a different kind of focus, as opposed to directors who are more prone to being really technically proficient or visual. I feel like there are two schools of both, and a director needs to have both.