It's really about connecting to your own humanity and your own behaviors, and getting to a level of self-awareness so that you can have perspective and step outside of yourself and transform and become another person.

There was definitely a learning curve in terms of being on film, but being on a set was all good.

I feel like I almost didn't grow up in the business, because my parents worked so hard at sheltering us from that. I was raised in Connecticut. And I honestly wasn't aware that my dad was a celebrity until I moved to Los Angeles a year ago.

I definitely hope that I'm improving. If I'm not, there's a problem - I'm just coasting.

I felt very comfortable on a set - incredibly comfortable on a set, which is a real gift because that can be hugely intimidating.

It's just that the characters are speaking their mind. As opposed to it just being an expression, they're actually saying what's on their mind, and that's something that Tennessee Williams is really famous for. Shakespeare does that and Tennessee Williams does that. You crave that, when you're an actor, for sure.

I saw an episode - the second episode [of Black Mirror], "Fifteen Million Merits" - and I completely flipped out: "This is what my nightmares are made of. This is the most terrifying thing I've ever seen."