I was in South Africa, and Joe [Wright] asked the same exact question that you just asked: "Have you ever seen an episode of Black Mirror?" I went back and played the video for Joe. The episode that I did is called "Nosedive," and it was a year to the week from when I first watched it. It was just very bizarre, this very weird coincidence.

I have very vivid dreams and nightmares, and my biggest fear is of some kind of dystopian future where we're advanced in every way except in our humanity.

There was definitely a learning curve in terms of being on film, but being on a set was all good.

The Village did a lot for me, of course, because it was my first movie.

When I work on a film, I always tend to relate to the crew.

Right now as an artist, what I want to do is be a part of works that are unignorable. I couldn't be less interested in how people receive it, honestly. As long as it's unignorable.

I didn't always want to act. My passion was writing, and it still is one of my primary passions to this day, but it wasn't until high school when I started acting in plays that it became a thought of something I might want to do. And when I applied to colleges, at NYU, I was able to study both writing and acting.