You need to not be able to do anything else, to be in this business. If you have other options, in those unemployed moments, those other options will take precedent. From a directorial standpoint, I think it's really Freudian, the amount of trust I have in filmmakers because I have such a trusting relationship with my dad.

I definitely managed to do different kinds of things. My focus is usually who the director is, because at the end of the day the director is the storyteller, what the movie is all about. I don't want to participate in something that I don't think is constructive storytelling.

I definitely hope that I'm improving. If I'm not, there's a problem - I'm just coasting.

Sometimes acting, particularly in film, can feel so contained. You need to be small and not overplay things, so it's such a relief to be able to go as far as you can go with an emotion or a feeling or a speech.

What I wasn't used to was being in front of the camera.

The Village did a lot for me, of course, because it was my first movie.

I feel like it's a subversive thing [a certain body type to admire] which keeps women preoccupied with something that doesn't matter, and takes up a lot of space, and prevents people from what they're meant to be doing.