I had to learn, because as an artist myself, an artist owns that right to protect their interest of how they want to roll their project out. It's just important to give them that opportunity to roll it out the way they want to.

No one's selling records anymore, so there's no income you're being robbed of. I think that you should be in alignment with the world. The world is about sharing now, so as long as it's out there, it should be there. I think it's fine.

You know Beyoncé, man. She's very quiet about how she does things. She doesn't like to let everybody know what she's about to do.

You might be a legend one day if you just keep your head to the ground and never get overzealous and start thinking you've outdone yourself. That's the space I try to stay in.

I'm always constantly doing stuff with Beyonce in mind. Anytime I hear a beat I think she'll love, I'll put something to it and go from there and hopefully it's something that she's in the mood for doing.What exactly were you trying to accomplish with this song?

I don't like when everything sounds the same.

The first two songs that I wrote, produced and demoed with my voice on it was that song and then Akon's "Sorry, Blame It On Me." The first two demos I ever wrote and demoed, the two biggest artists at the time took them.