I'd stopped doing music all of a sudden, and because of Chill and Jay and B, I got half of my album on a solo project. Then I get a call a week later and Jay is like, "Yo, Janet [Jackson] likes one of the records. We'll take five but are you cool with giving Janet one?" I was like, dude, we can do whatever you want to do.

I never feel like I've done good enough. That's why I'm always so excited about working because I gotta keep pushing myself to do better work, to do great work.

Beyoncé don't get a lot of leaks. She just has a very tight control. Most of the time, that's generally not the case, but I pretty much follow her direction.

One half was like, I hope this doesn't affect it, and the other half was like, it's great that people know I did a Beyoncé record.

No one's selling records anymore, so there's no income you're being robbed of. I think that you should be in alignment with the world. The world is about sharing now, so as long as it's out there, it should be there. I think it's fine.

She [Beyonce] is just an energetic performer and she loves drums. She loves edge.

The first two songs that I wrote, produced and demoed with my voice on it was that song and then Akon's "Sorry, Blame It On Me." The first two demos I ever wrote and demoed, the two biggest artists at the time took them.