Beyoncé don't get a lot of leaks. She just has a very tight control. Most of the time, that's generally not the case, but I pretty much follow her direction.

Beyoncé can handle any record you put in front of her. Any record that pushes her in that direction, it would have been good to be on the project.

One half was like, I hope this doesn't affect it, and the other half was like, it's great that people know I did a Beyoncé record.

You know Beyoncé, man. She's very quiet about how she does things. She doesn't like to let everybody know what she's about to do.

I'd stopped doing music all of a sudden, and because of Chill and Jay and B, I got half of my album on a solo project. Then I get a call a week later and Jay is like, "Yo, Janet [Jackson] likes one of the records. We'll take five but are you cool with giving Janet one?" I was like, dude, we can do whatever you want to do.

The first two songs that I wrote, produced and demoed with my voice on it was that song and then Akon's "Sorry, Blame It On Me." The first two demos I ever wrote and demoed, the two biggest artists at the time took them.

Beyonce is such a visual artist. This was just trying to figure out another side to her that could be fun and young and exciteful and a great video.