Generally, you're always shooting in the dark with Beyonce. She's just creative and eclectic and up on always trying to be ahead of the game. That was the moment of me trying to figure out how I wanted to give her another moment.

I had to learn, because as an artist myself, an artist owns that right to protect their interest of how they want to roll their project out. It's just important to give them that opportunity to roll it out the way they want to.

The first two songs that I wrote, produced and demoed with my voice on it was that song and then Akon's "Sorry, Blame It On Me." The first two demos I ever wrote and demoed, the two biggest artists at the time took them.

I don't like when everything sounds the same.

Beyoncé can handle any record you put in front of her. Any record that pushes her in that direction, it would have been good to be on the project.

Beyoncé don't get a lot of leaks. She just has a very tight control. Most of the time, that's generally not the case, but I pretty much follow her direction.

You know Beyoncé, man. She's very quiet about how she does things. She doesn't like to let everybody know what she's about to do.