When you go from one part of the Turkish community to another, it's like you're moving from one century to another. People look at each other in a strange way, as if looking at someone from another planet, rather than trying to understand and open space for them.

People feel that the beauty of the Istanbul is something we used to have in the past or something we will have in the future. But we have that beauty today, too, in the mixture of past and future. We have to save it today and we have to enjoy it today.

When I decided to write a novel about Istanbul, I thought I should put the different faces of Istanbul into one book. I also put the characters in a cell, and it's three stories underground, rather than on the surface. The characters have one Istanbul, the other one is above ground. One is in dark, one is in light. That kind of contradiction - those opposite sides - creates a great energy in Istanbul.

Istanbul is divided by time, not space. The first Istanbul is the Istanbul of the past. A long time ago, during the empire, it was beautiful, it was the glorious time of our nation, people say. Then, when they talk about today, they complain about it: It's very melancholic, it's very stressful. We've lost our golden age in the past, and now we're living in our dark era.

The way I wrote it is a nice and enjoyable way to write stories, to pretend to say something when you're really saying something else. "Hey guys, come, I'll take you a football match." They all come - and you suddenly take them to watch theater play on the stage instead. In Istanbul Istanbul, I pretend to talk about torture and politics, but I don't actually. Instead I talk about hope and hopelessness, darkness and light, good and evil, love and separation.

We have to consider culture respectfully, but on the other hand, it's dangerous. When we begin talking about cultures, we begin forgetting about individuals. Every individual is unique. Mankind has common feelings and ideas, but we might have some other connections, too. For example, I might be very close to someone in New York in some way. Because of the music I like or how I like to watch soccer games, or because I like to read Russian classics.

Maybe divisions like that are easy for people to accept, because then you don't have to make an effort to understand people or appreciate each of them. You just give them a general name: "black people" and "white people." "Tall people" and "short people." "Man" and "woman." But we have to forget about all those terms. Every individual is unique in herself or himself.