People feel that the beauty of the Istanbul is something we used to have in the past or something we will have in the future. But we have that beauty today, too, in the mixture of past and future. We have to save it today and we have to enjoy it today.

The way I wrote it is a nice and enjoyable way to write stories, to pretend to say something when you're really saying something else. "Hey guys, come, I'll take you a football match." They all come - and you suddenly take them to watch theater play on the stage instead. In Istanbul Istanbul, I pretend to talk about torture and politics, but I don't actually. Instead I talk about hope and hopelessness, darkness and light, good and evil, love and separation.

Some people are like a defeated warrior: they accept the defeat, go to work, go back home, watch TV silently. That is like a prison. You can have a life sentence in prison and it's the same in cities.

It's a bit questionable whether Turkey is a model country or not, since our government is supporting ISIS in Syria, since there are legislations that are not in line with democratic rules.

Turkey are the independent people. We are our own nation in this world - a nation of writers, journalists, artists, moviemakers, and academics. We act together. If there is a problem, we act to correct it.

"Culture" is a new phenomenon, I believe. Culture is the new religion. People treat you based upon your culture. You are pushed to describe yourself by your culture: Kurdish or Turkish? Left wing or right wing? Progressive or conservative? Westerner or Easterner? European or Asian? So we have a label ready for you.

Democracy is to have different ideas, even extreme ones. In democracy there is space for all of them and bridges to connect them. In Turkey we are losing those bridges, and everyone is trying to destroy spaces for the opposite side. When we look at this, Istanbul is like different courtyards divided by big, thick walls.