If I had had success when I was early twenties I'm sure I would have lost my mind, I would've just partied like crazy and probably blown everything I had.

The first Garbage record sounds bizarre, it's not a pristine sounding album. We ran everything through stomp boxes and through samplers and that definitely gave it a vibe.

I love analogue tape and I love digital, they both have pluses and minuses and I don't really feel like I have to use one or the other. I love digital because it's really great for songwriting because you can just cut and move choruses around and pull chunks of songs. It's really easy to hear quickly "Oh, maybe the arrangement should be like this."

It's funny, I don't really feel that nostalgic. I only recently started putting up some photos from some of the sessions I've done over the years and some of the Garbage sessions because my daughter, who's 10-years-old, when she was about 6 or 7 she was more curious about what I do. I have all these platinum records and stuff, they've all just been in boxes in storage for years but I started just digging through those things because I sort of want her to be aware of my past. I never really put the old recordings on and listen to them and go, "Oh that sounds great."

I'm a gear head. I love gear. If I have the choice, of course I'd rather use a great microphone, a Neumann microphone and a vintage Neve board.

Compression is a necessary evil. The artists I know want to sound competitive. You don't want your track to sound quieter or wimpier by comparison. We've raised the bar and you can't really step back.

I'm trying to be present in my daughters life as much as I can. I didn't have any kids or really any family. I have a family but I just dove into work 1,000%. I think as an artist when you're young like that, when you move into your 30's or 40's if you have time to focus on that you need that time. It's part of that.