I don't believe love is real love if it remains cloistered within the confines of an intimate relationship; it should transcend the private sphere. As an artist that means training an eye on the suffering in the world, then acting on behalf of others.

I don't believe love is real love if it remains cloistered within the confines of an intimate relationship; it should transcend the private sphere. As an artist that means training an eye on the suffering in the world, then acting on behalf of others.

I was taught as a young person that the far political right and the far political left aren't located on a spectrum but on a circle, where they inevitably meet in their extremity.

Ultimately, I don't know if love is an organizing principle we choose or if it's innate. I'm not sure the distinction matters to me much anymore; I just care about how we can reduce unnecessary suffering. I think that means learning to love in both the micro and the macro; engaging in ethical action at the level of intimacy and friendship, but also at the vocational level through our chosen work in the world, our right livelihood.

The idea that writing about characters of another race requires a passage through a critical gauntlet, which involves apology and self-examination of an almost punitive nature, as though the act of writing race was somehow morally suspect, is a dangerous one. This approach appears culturally sensitive, but often it reveals a failure of nerve. I believe the demand that we ought to reveals a species of fascism within the left - an embrace of political correctness with its required silences, which has left people afraid to offend or take a stand.

I stared at the Ohio River every day as a child, a thing that for me is almost more symbol than river. The formation of personality is inextricable from place. It strikes me as an interesting example of dependent co-arising; land shapes the organism, which then reshapes - literally and figuratively - the land. This because of this; not that because not that. Nothing is separate, least of all the literary mind.

I have both experienced and witnessed a great deal of suffering in my life, and that has informed my art. I'm here today, because I'm a fighter. I didn't survive my life to ask permission to write my books.