All the time the joke is that the word "mine" in its fully possessive sense cannot be uttered by a human being about anything. In the long run either [Satan] or God will say "mine" of each thing that exists, and specially of each man.

This moment contains all moments.

Good, as it ripens, becomes continually more different not only from evil but from other good.

The only thing one can usually change in one's situation is oneself. And yet one can't change that either-only ask Our Lord to do so.

It seems to me that we often, almost sulkily, reject the good that God offers us because, at that moment, we expected some other good.

But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the scenes that follow it.

It means that though the Witch knew the Deep Magic, there is a magic deeper still that she did not know. Her knowledge goes back only to the dawn of Time. But if she could have looked a little further back, into the stillness and darkness before Time began, she would have read there a different incantation. She would have known that when a willing victim who had committed no treachery was killed in a traitor's stead, the Table would crack and death itself would work backwards.