My Facebook page confuses a lot of people. I'll post a Beyoncé Knowles song, and, people are like, "What are you doing?! This is bullshit," and I'm like, "No! Beyoncé is the Linda Ronstadt of our day, you don't understand!"

Growing up in Nashville, especially in a music business family, means growing up with knowledge that seems like common sense until later in life when you realize people spend thousands of dollars a semester trying to learn or pretending to learn while looking for some intern job on music row.

I have this friend who has a theory that lots of towns have energies. And, for instance, certain places in Alabama have bad ones because they were built on reservations or built on cemeteries or something. But Nashville has a really gravitational, magnetic pull.

As a clown, you're letting go of all of your bullshit.

I think when people watch a lot of artists, they're expecting this showiness, and I'm cracking jokes with people. I'm heckling back. I'm interacting.

My Facebook page confuses a lot of people. I'll post a Beyoncé Knowles song, and, people are like, "What are you doing?! This is bullshit," and I'm like, "No! Beyoncé is the Linda Ronstadt of our day, you don't understand!"

I was probably 16.I played - I tried to play these songs that I had written. And, this was a common theme when I was younger: I would write a song about somebody, and they would come to my show. I wouldn't be able to play the whole thing, because, there would be some giant, loaded secret coming up in like, the third verse, or something.