My new favorite thing is to wake up in hotel rooms, and write on the hotel pads. Usually, it's nothing. I leave it in a hotel and get really embarrassed about the maid picking it up, wondering what in the hell I'm talking about.

I have this friend who has a theory that lots of towns have energies. And, for instance, certain places in Alabama have bad ones because they were built on reservations or built on cemeteries or something. But Nashville has a really gravitational, magnetic pull.

I like buying iTunes. It's instant.

I think when people watch a lot of artists, they're expecting this showiness, and I'm cracking jokes with people. I'm heckling back. I'm interacting.

I had a really bad blushing problem when I was younger. The first time I ever performed was in an English class. I had an essay that I was supposed to write, and, instead of writing an essay, I wrote a song. So, I was playing this song in class, and I literally turned the color of this sweater that I was wearing, completely red. I think it was that feeling of challenging everything in me, my introverted personality. Like, "This is what you have to do. It doesn't matter if you do it wrong, you just have to do it."

When I did the video for "Piledriver Waltz," I was thinking about rodeo clowns, and how they're risking their lives just to keep an entire arena laughing. They're in danger!

I was probably 16.I played - I tried to play these songs that I had written. And, this was a common theme when I was younger: I would write a song about somebody, and they would come to my show. I wouldn't be able to play the whole thing, because, there would be some giant, loaded secret coming up in like, the third verse, or something.